19.11.14

The Most Out-of-Date 'Record of the Year' this Side of J-Lo's Ass


Sorry.

It's nearly the end of two thousand and fourteen (FUCK) and I thought about writing another top 20 records of the year list.

And then I remembered that I didn't actually finish last year's.

So here's the top 5:

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5. Haxan Cloak - Excavation
4. Julia Holter - Loud City Song
3. The Knife - Shaking the Habitual
2. Tim Hecker - Virgins

1. Oneohtrix Point Never - R Plus Seven





Daniel Lopatin keeps delivering, and on R Plus Seven there’s a real sense of him trying to do something more consciously important and high-concept than previous releases. The album is more cohesive – texturally – and more overt in its groping towards grandiose sentiment in a strange and disorientating digital environment.

The album features Lopatin’s definitive jittery structure that applies on both the macro and micro scale; clipped, repetitious vocal samples that dart about the mix are woven into a fabric that never quite settles in one place. A consistent mood is achieved from extremely fragmented components – the mark of excellent abstract art of any stripe – and our listening experience is one of almost constant tension and surprise.

Inside World, for example, prods at us with really strange synthetic vocal ‘ahs’ that seem to meander and peter out, before a sumptuous string line, backed by lush digital hiss, bleeds in and – just as we’ve adjusted to its relative calm – gives way to another series of bubbling, stop-start samples. The experience borders on frustration, but it keeps the ear focused and re-contextualises every little thing we hear into a singular revelatory moment.

The aesthetic is akin to James Ferraro’s Far Side Virtual in its hyper-digital glossy sheen but the irony is stripped away to reveal some genuinely beautiful moments of euphoria, melancholy and sensuality. Zebra threatens to burst into a hands-in-the-air house track at any moment but becomes subsumed in a cascading barrage of synth layers and, once again, tantalisingly rejects the economy of set-up and pay-off for a more complex and jarring arrangement that revels in the diverse qualities of synthetic sounds.

There’s a conscious religiosity/spirituality in the effects that Lopatin utilises – uplifting choral vocals, hypnotic church organ pieces – and this feels entirely appropriate for the strange magic at work in this album. Lopatin has allowed the music to cover extraordinarily wide ground in its aural symbolism and, therefore, unlocked a sense of infinite complexity, primitive humanity and revelatory wonder in the journey through brief flashes of experience and sustained, elegiac, hymnal passages.


In utilising a truly odd combination of new-age meditation sounds, commercial muzak gloss, synthesised baroque horns, religious harmonics and jazzy erotica, Lopatin has possibly created something of a definitive album that plays on the still unknown nature of the relationship between ultra-consumerism, hyper-connectivity, spirituality, nature and humanity.

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I had only written the review for Oneohtrix Point Never's deserved winner, so there it is. I won't bother writing about the others; I ain't gonna waffle on about records that are a whole year old now. We've moved on. Andy Murray won.

Look ahead to a shimmering future with hundreds more end-of-year lists and global tragedies.

Who will it be this year?

Kanye?

Tay Tay?


25.7.14

Bill Maher and guests are so wrong on Gaza

Bill Maher and his guests should be ashamed of their horrible portrayal of the Israeli bombardment of Gaza on Realtime (19.07.14 – view the full episode here).

As a proviso – I’m intending to criticise the show’s particularly awful moments and not attempting a balanced assessment of all the guest’s points. There is, of course, truth in their criticism of Hamas; I’m pro Israel and pro Palestine, but this ‘debate’ was particularly one-sided and bizarre for something outside of Fox News.

Some of the misinformation and opinions presented were bordering on offensive – to my intelligence, not my sensibilities. I like Bill Maher, I like the show. Consider this a friendly reminder.

Absurdity No. 1: Israel ain’t that bad

Maher begins by suggesting that Israel is actually demonstrating restraint in its invasion by not simply destroying Palestine:

‘Israel has the opportunity to kill way more, and they do not. It seems like they are victims of the soft bigotry of high expectations.’

This is ridiculous. And delivered with that little look that Maher always has on his face when he’s done a nice sentence. Israel has the opportunity to kill way less, and they do not. If Israel was purely defensive in their military operations in Gaza, then over 800 civilians would not be dead.

Plus, the international community would undoubtedly not allow Israel to commit full-scale genocide or decisive ground invasions, so they are not as free to ‘kill way more’ as Maher suggests; they get away with what they can (which Hamas does too).

Absurdity No. 2: Jews are superior

After opening with this interesting angle on Israel’s ruthlessness, Maher asks why it is that ‘Israel wins every war’ and, hence, ends up killing many more Palestinians than it suffers Israeli casualties.

Shockingly, he puts it down to the amount of Nobel prizes Jews have: ‘A big advantage to team Hebrew’. This not only implies that Arabs are inferior, which is pretty dangerous ground, but also overlooks a pretty significant fact: the unwavering support and monumental financial backing of the world’s largest military superpower.

Does Maher really think Israel’s ‘atheist’ (!) scientific community gives it the edge over oppressed, destitute, isolated, barricaded, sanctioned and blockaded Palestine? Maybe it’s got something to do with the fuckload of weapons and money they get from the US.

Absurdity No. 3: Gaza isn’t occupied

Next, one of Bill’s guests, Jane Harman – a former Democrat member of Congress – points out that ‘Israel doesn’t want to be in Gaza’ and that Gaza hasn’t been occupied since 2005, implying that Palestine has no claim to being oppressed and, therefore, enacting ‘resistance’.

That’s a nice line for apologists to repeat as it suggests that Gaza is actually a free, independent state since Ariel Sharon ‘disengaged’ 9 years ago but it masks the truth. Occupation is a legal designation and, by many accounts, Gaza is far from unoccupied. The UN has noted Israel’s ‘effective’ control of Gaza by way of:
  1. substantial control of Gaza’s six land crossings
  2. control through military incursions, rocket attacks and sonic booms, and the declaration of areas inside the Strip as “no-go” zones where anyone who enters can be shot
  3. complete control of Gaza’s airspace and territorial waters
  4. control of the Palestinian Population Registry, which has the power and authority to define who is a “Palestinian” and who is a resident of Gaza.[1]

Palestine is definitely not a free, independent state with no legitimate gripes.

This is a particularly pernicious lie because Harman, as a high profile politician who is presumably aware of diplomatic history and international law, must know that calling Palestine an unoccupied territory is contentious at best and completely disgusting at worst.

Absurdity No. 4: Israel’s military action is wholly defensive

Harman goes on to say that ‘the purpose’ of this current incursion, the purpose, is to take out Hamas’ tunnels and missile launchers. The shelling of schools and hospitals, alongside the UN’s suggestion that war crimes may have been committed, completely undermine this argument.

This is disproportionate, psychological and inhumane warfare, whether you think some level of Israeli military action is justified or not.

Plus, just two days ago the US posted the only NO vote on a motion in the UN General Assembly to set up an independent inquiry into Israel’s potential human rights violations. This would suggest that the US is not entirely confident that the result will be in Israel’s favour or, as a Washington State Department spokesperson put it: ‘[the US] will stand up for Israel…even if it means standing alone’[2] – a more candid admission of blind support.

The Times of Israel suggests that the US didn’t back the motion because it was one-sided and doesn’t mention Israeli deaths or Palestinian attacks, but that’s not true; sections 3 and 4 explicitly include condemnations of Israeli civilian deaths.

Once again, Israel is disproportionate, ruthless and murderous in its ‘retaliation’ to Hamas attacks and American apologists claim the military action is purely defensive before vetoing any UN action. This happens all the time. I put ‘retaliation’ in scare quotes since the 3 Israeli deaths that apparently sparked this conflict were actually preceded by 2 Palestinian deaths at the hands of the IDF that went unnoticed.

If Israel’s behaviour isn’t completely inexcusable, then its justification is at least questionable, while Maher’s panel doesn’t even discuss the possibility that targeting civilians might be problematic or that Israel might not have carte blanche to eviscerate whole communities.

Absurdity after absurdity after absurdity

There are more hilarious/disgusting distortions in the programme and this is only a short 15 minute segment.

Palestinians are referred to as ‘professional refugees’ who are used ‘as a symbol of propaganda’ by Jamie Weinstein, senior editor of the Daily Caller, and trusty Jane Harman claims that the million and a half Arabs living in Israel are ‘treated as Israeli citizens and afforded democratic rights’. I don’t even need to rebuff this Ministry of Truth bollocks.

It is amazing (or perhaps, sadly, not) that this passes for acceptable debate on US television. You’d expect this shit from Jamie Weinstein, but Bill Maher is apparently a liberal/libertarian and Jane Harman is a Democrat; not that I expect Democrat politicians to express pro-Palestinian sentiment, but at least not to resort to Bill O'Reilly levels of bull. 

Realtime is a show for the Jon Stewart and Stephen Colbert demographic and, while I don’t expect members of the American political elite to be wearing Keffiyeh’s, I was shocked by the way this level of extreme rhetoric went unchallenged (I suppose Maher’s audience are the most sycophantic and clap-happy morons around) and elementary falsehoods were fired around so rapidly.

I’m no scholar on Israel-Palestine and nor am I a hardened pro-Palestinian, but I recognised much of what was said by apparently educated and knowledgeable pundits as heinous.

We will not see peace between Israel and Palestine until the US allows it to happen, and the US won’t allow it to happen while this sort of self-censorship abides. At least Maher recognises the Israeli gag placed on the whole of America’s political class at the end of the segment, but he, unfortunately, seems to be wearing it too.



[1] http://www.jadaliyya.com/pages/index/8807/is-gaza-still-occupied-and-why-does-it-matter
[2] http://www.democracynow.org/2014/7/24/headlines#7246

18.3.14

Berlin

Berlin


It’s a great word, visually. It feels composed.

With a proud B followed by a subtle curve, formed by the peak of the l, sloping into in.

Austere and romantic, assertive and seductive – Berlin.

  

Berlin is great art.

It’s not effusive like Paris or rarefied like Vienna, but elegant and tragic; its absurdist logic imbues the steely exterior with an intoxicating poignancy. It’s turgid with potential energy – the echoes of horror; restrained tears; austere concrete veined with graffiti arabesques (matte neon, dulled vibrancy); serious fun.


Muffled kick drums, silver noise, beautiful bludgeon, concrete flowers, murdered gypsies in as-far-as-the-eye-can-see park, white sun, a flash of gold at the edges.

The tears are brought on by beauty, by spectacle, by death, by love, by endless possibility.

Hedonism is no vacuous escape here – it’s meaningful immersion.

That sunset orange stays long.